Here’s a list of my publications to date:


‘The Romanesque Sculpture of North Devon and North Cornwall’, Devon Buildings Group Newsletter, forthcoming.

‘Leaf Talk: Conversations with the Green Man’, Elementum 3: 64–75.

‘Beasts and Beakheads: Romanesque Sculpture at Morwenstow’, in Paul Holden (ed.) Celebrating Pevsner: New Research on Cornish Architecture, London: Francis Boutle, 41–48.


‘A Stone “Richly Embossed with Volutes”: The Romanesque Tympanum from East Teignmouth’, Report and Transactions of the Devonshire Association 148: 293–310.

‘In the Eye of the Hag Stone: Under the Spell of Flint on the Sussex Coast’, Elementum 2: 8–19.

‘Bride of Quietness: Ithell Colquhoun in Lamorna Valley’, Reliquiae 4: 136–140.

‘Zennor Transformations: in the High Country, in the Mermaid’s Hand’, Elementum 1: 24–37.

‘The Medieval Mermaid at Zennor’ in Jayne Wackett (ed.) All Monsters Great and Small (exhibition guidebook), Truro: Royal Cornwall Museum, 38.


‘Reconsidering the Romanesque Sculpture of Cornwall’, Journal of the Royal Institution of Cornwall, 57–72.

(This won the Royal Institution of Cornwall’s Cardew-Rendle History Prize – embarrassing photos here


‘William of Montacute, Fourteenth-Century Stonemason and Sculptor’, Friends of Exeter Cathedral Annual Report 2014 84: 20–23.


Of Sirens and Centaurs: Medieval Sculpture at Exeter Cathedral, Exeter: Impress.

‘A Recently Discovered Medieval Doorway at Exeter Cathedral’, Proceedings of the Devon Archaeological Society 71: 91–97.


Gargoyles and Grotesques, Oxford: Bloomsbury.


‘Honeysuckle and Red Sandstone: Some Characteristics of Romanesque Stonecarving in South Devon’, Report and Transactions of the Devonshire Association 141: 77–92.

‘Two Eighteenth-Century Memorials at Shebbear and Black Torrington’, Devon and Cornwall Notes and Queries 40: 131–133.

‘Fragments of Romanesque Sculpture in Totnes’, The Totnes Review 4: 26-27.


‘Death and the Mermaid: The Carved Capitals at St Michael’s, Horwood (North Devon) and their Patrons’, Journal of the British Archaeological Association 160: 147–164.

‘Maria’s Mermaid: A Carving on a Tomb at Bovey Tracey’, Devon and Cornwall Notes and Queries 40: 36–39.


(with Theresa Oakley) ‘The Romanesque Corbel-Table at St John’s, Devizes, and its Sheela-na-gig’, Wiltshire Archaeological and Natural History Magazine 99: 250–254.


Liminal Images: Aspects of Medieval Architectural Sculpture in the South of England from the Eleventh to the Sixteenth Centuries, British Archaeological Reports (British Series) 386, Oxford: John and Erica Hedges.


‘A Sheela-na-gig at Worth Matravers’, Proceedings of the Dorset Natural History and Archaeological Society 124: 110-11.


‘Animal Spirit’ (interview with the artist Louise Cullen) Resurgence 196: 42–43.