Tintagel

Tintagel: On stones and landscapes

Carved stones connect us to landscapes. Through the material, they connect us to a physical one; through the technique of its production and where it is placed, a human one; through the image itself, often a spiritual one. They are points in time and through time that allow us to sense the past and allow the past to leak into the present. Over time, these records of human interaction with the land become more and more precious, documents of moments lived hundreds of years ago. In turn, they, like the medieval churches where they are often found, become part of the landscape themselves, weathering back into it, taking the secrets of the centuries with them. Stone sculpture and landscape are inextricably linked. (more…)